BLUE BOSSA PAT MARTINO PDF

Hello guys, here we meet again! One day I was listening to Pat Martino’s rendition of Blue Bossa and once again & unsurprisingly, he blew me. transcription of Pat Martino solo on Blue Bossa Blue Bossa Pat Martino 1st Chorus C‹7 D‹7(b5) G7(b9) œ œ œ œ. œ n œ œ œ œ œ œ œ œ. Most advanced music improvisation study tool. Best transcriptions share-point, interactive exercises to enhance musical expression, technique and creativity.

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Jamie Holroyd Guitar

A new episode about every 3 days averaging 10 mins duration. This week is all about the practice of mindfulness and the benefits it can oat on clearing your mind before practice and performance. When the minor chord is acting as a i chord as it is in this case, we can alternative play a C melodic minor. Not what you don’t.

Jazz Standards – Blue Bossa – Will Kriski

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Welcome to Player FM What if radio played only the shows you care about, when you want? Blue Bossa by Joe Henderson You get incredible benefits If ads still aren’t showing, look into tweaking your browser settings so that they start to show. Developers constantly update and improve.

When learning a new standard, try and find as many ways as you can to play and voice lead each of the chords so that you have them ready for chord soloing, chord melodyand comping. This blu is all about me wanting to hire you to practice. Playing over this progression is similar to any other in the way that we want to examine the voice leading first. Although Blue Bossa was originally recorded as a Bossa Nova there are marhino versions of it being played as a rumba, salsa and samba piece.

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The advancements he made in such a short life are nothing short of amazing. This week, we talk about more advanced ways to enclose our target notes. Pat Martino is probably my favorite guitar player ever. Refresh the page to see the result. Notify me of follow-up comments by email. If you are running an ad blocker, please disable it on whosampled. Almost every legendary jazz musician attributes Bird as bozsa one of their main influences. So easy to find shows to follow.

Blue Bossa Dexter Gordon transcription Cm 2 choruses Notice the use of approach arpeggios in the 2nd measure of the above transcription — G7 arpeggio descending from the 5th. He changed the face of music and transcended what was possible on his instrument. This episode will also help you tremendously with your ears. This week we step it up a notch and look at the same concept over the great John Coltrane composition, Giant Steps. This past weekend, the jazz world lost a true master.

Would you like to support the creators of this podcast? The tune starts with two bars of C minor, and briefly modulates up a fourth like in a blues to F-7 which is then followed with a ii-V-I in C minor. About the Author wkriski follow me on: We use the famous jazz standard, If I Should Lose You to demonstrate all of the concepts we have worked on so far.

This week starts a series on something that I use in my practice each and every day. Play in new window Download. Blue Bossa Dexter Gordon transcription Dm — for sax.

Blue Bossa – Pat Martino Cover

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Every subscription supports the running of our service. What sets the app apart from other podcasting applications is its emphasis on discovery. Give yourself some credit! Pat Martino is probably my favorite guitar player ever.

Chords for Pat Martino – Blue Bossa

On an instrument with such a storied history, people like him and Joe Pass still make me smile bluue tap my foot every time I hear them play. Notify me of new posts by email. This week we continue with our series about playing the blues in multiple keys at once. You must be logged in pqt comment. This week we answer a question and build an episode around an email from one of our listeners, David. Vinyl is the way to listen, especially to jazz! Six stars for Chromecast support.

To listen to new Coltrane material in is very special stuff.

We hope that we bring you value every week here at the 10 Minute Jazz Lesson and we appreciate all of your support! This week is all about another lesson I took from hanging with Joe Lovano. This week is all about one of the coolest websites for musicians. The following etude shows how you can apply a common samba style comping pattern to the entire progression.

Today we are taking a look at one of his ii-V-i licks over Blue Bossa.

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