Page 1. Page 2. Page 3. Page 4. Page 5. Page 6. Page 7. Page 8. Page 9. Page Page Page Page Page Page Page Page Page Telemann Fantasias: a feat of ingenuity and inspiration examples for flute such as Schickhardt’s L’Alphabet de la Musique, twenty-four sonatas in all major. ANTÔNIO CARLOS PORTELA DA SILVA first three of Telemann’s 12 Fantasias for Solo Flute. . ii) Revised edition of Telemann Fantasias 1, 2 and 3.

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fantaeias Genre Categories Fantasias ; For flute ; Scores featuring the flute ; For 1 player ; For recorder arr ; Scores featuring the recorder ; For trumpet arr ; Scores featuring the trumpet. July Total duration: Hyperion offers both CDs, and downloads in a number of formats.

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There are two ways to view the overall structure of the collection: This page was last edited on 9 Novemberat The viol fantasies were dedicated to Pierre Chaunell, a prominent and wealthy Hamburg business man, whose Huguenot family had fled France at the revocation of the Edict of Nantes in He published a set of fantadias fantasies fanttasias solo flute ineach in a different key in ascending order, and then a couple of years later a similar set for violin, again all in different keys, but without the ascending format.

Barenreiter Verlag Javascript is required for this feature. Part of his fame came from being his own publisher, and an inventive and enterprising one at that.

In Telemann had telemahn the first music periodical, Der getreue Music-Meisterwhich appeared every fourteen days, and which contained all sorts of music, not all fantasiias it by Telemann. Telemann’s violin fantasias exhibit mastery of not only compound melodic lines, but also of idiomatic writing for violin, [4] as Telemann himself was a self-taught violinist.


12 Fantasias for Solo Violin (Telemann) – Wikipedia

Retrieved from ” http: Fantasias ; For flute ; Scores featuring cantasias flute ; For 1 player ; For recorder arr ; Scores featuring the recorder ; For trumpet arr ; Scores featuring the trumpet. He has, indeed, described the collection as “12 fantasias [ This page was last edited on 22 Julytelemannn Naxos Javascript not enabled.

But Its potential as a solo instrument was quickly realised and the first publication of solo music came in in Venice. This appears to be a mere transposition.

Telemann’s solo flute fantasias are alone in the Baroque repertoire to include movements seemingly impossible on flute: An extant copy of the publication, conserved in Brussels, has a spurious title page reading Fantasie per il Violino senza Basso Fantasias for Solo Violin.

Retrieved from ” https: And when he travelled to France in to present these works, he was ecstatic at the abilities of the great French virtuosos who played them: Perhaps he already had Jean-Baptiste Antoine Forqueray in mind when composing these fantasies? Fantasia 8, 1st mouvement m.

12 Fantasias for Solo Violin (Telemann)

While the first two sets of solo fantasias were known and reprinted several times, the set for viol was lost.

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By using this site, you agree to the Terms of Use and Privacy Policy. It is remarkable that the solo bass viol, already having such a large repertory without mentioning the chamber music or the consort music finds itself enriched even more with a large body of important and excellent works by a leading composer of the high baroque. In the s, he became very interested in the possibilities of writing for a solo instrument without any bass. Editor Barthold Kuijken In other projects Wikimedia Commons.


Performer Pages Tokinori Yanagita baroque flute.

If so, the copyright claim is bogus as simple transposition completely fails to meet the threshold of originality required to qualify as a derivative work or adaptation. Fantasias for Viola solo TWV This article needs additional citations for verification.

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12 Fantasias for Unaccompanied Viola | SHAR Music –

Introduction English The viola da gamba is a most remarkable instrument: Having six strings and later seven and tuned in the same way as the lute gives the instrument the ability to express both lyrical melody and harmony with chords, and many composers sought to combine both elements.

Hence, the edition is public domain in its country of origin or a government publication. Views Read Edit View history. These file s are part of the Werner Icking Music Collection. By using this site, you agree to the Terms of Use and Privacy Policy.