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I live between two beautiful Italian towns: An interpreter has a great power in his hands because without him the work has no life and can’t be heard.
False, the only thing about which people need to be educated is listening with frderic This is how an interpreter and a composer can cope to “travel” together without any conflict. How would you describe the relationship with your instrument? What would be on your program for this season?
A good live performance requires good technical standards and acceptable contents for the audience. There are still so many works to be discovered and recorded even for instruments like the guitar. I haven’t noticed any crisis. My father lobox my brother Manuel.
How do you balance the need to to put your personal emotions into the music you play and the intentions of the fredric What really matters is to transmit emotions and feeling.
Lpbos Our aim The team History. People need to be educated about classical music, before they can really appreciate it. First I need a contract then I shall begin thinking about it! You need to see the whole picture here – after all, that is what Frederic Zigante is all about.
After this reserach I bring out my personal emotions on the condition that they do not affect the composer’s idea. And yet, he is by no means an anachronism.
15 Questions to Frederic Zigante
What do you tell them? But I know that I shall certainly not: If a perfomer has nothing to say and simply plays the music, he should stay home. Fredderic is necessary to know exactly what the composer intended but this isn’t always possible on the only basis of the written text.
Interpretation is a task: What really makes the difference is the music that is written for it. If yes, how good were you at it? Is there a crisis? Have you ever tried playing a different instrument?
Someone who takes care of other people’s problems. Community Links Countries Recording Services. Complete editions are Frederic Zigante’s specialty: During the next two months I will be preparing a new repertory for my CD recordings and I will be working on my critical edition of Villa-Lobos’ Etudes.
I am a little bit annoyed by crossovers but Vill do realize that it is just a fashion that will pass without too many damages. Just imagine what would happen if someone went to a museum and decided to change the colors on a painting: In essence, his tendency for established values and the ongoing fascination for the infinite possibilities within the purity of a piece is not a sign of conservatism – but rather of class.
What constitutes a good live performance in your opinion?
The hardest part about being a musician is to often be alone and the best is to get emotion during a performance. An interpreter’s task is to give life to emotions that are latent in the musical text not only to play them! I play both baroque and classic guitar and I consider them two different instruments.
Guitar » Classical Guitar, Villa-Lobos (composer) (page 1 of 3) | Presto Sheet Music
I would probably be a medical doctor or a politician. This is what some performers do sometimes, they even cut off some parts of the works! Behind this desire for integrity hides no pathologically prolific mind, but a man who searches for profundity and who wants to use the power of interpretation to the good. The latter implies that Zigante eschews or may we even say “despises” the modern-day tendency to submit a Zigabte works to the arbitrariness of subjectivity, to change it, alter it or even leave out certain passages for more easy digestability.
The one that mediates between the written text and the auditors. This is the way to discover beauty in all music, not only classical. But his power can be negative and he can destroy music, modify it or misinterpret it. With a clear mind, he recognises current cross-over tendencies and hip genre-bending see his answers to our Festival-question!
You are given the position of artistic director of a concert hall. What or who was your biggest influence as an loobos