This is a tricky miniature packed with robust energy. The parallel Major/minor duality is fleshed out with a quick build-up to climax. The hands separate sound files were recorded at a practice tempo. Hear LH / Play RH. Hear RH / Play LH. Hear HT / Play HT – Closer to Performance Tempo. Nov 7, Watch this full performance of Clowns Op, No by Dmitri Kabalevsky. Be sure to take advantage of the speed and looping controls in our.

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Teaching Clowns by Kabalevsky, from the Op. 39 Children’s Pieces for piano

Kbalevsky movement is very fast-paced and begins with an intricate string motif. That brings us to the end of this wonderful suite, and with 10 movements, it only takes about minutes to play through them all! A long chord is held before a sudden quaver note, led by the upper winds and xylophone, which ends kabalevskj short movement. It begins with a frantic fast march feel, with the brass layering F major chords under the shrill woodwinds.

I have played arrangements of this before in wind bands and it is such fun to play! Musical Individualism Joan Tower: I do hope you have enjoyed this light-hearted work, which brings such happiness to lots of people. Led by the strings, the initial melody is played.

Kabalevsky was a wonderful composer who has contributed so much to both classical music and music education. His short pieces, composed almost invariably to deal with specific problems of piano pedagogy, are always spontaneous, full of fresh sounds and musical witticisms, rhythmically interesting and often surprising, and fun to play.


This is what makes this suite so entertaining, because caricatures can me insulting, complimentary or even political.

Clowns: : Dmitri Kabalevsky

Petersburg, Russian Empire [now Russia]. The strings return once more to end this kabaalevsky with the first melody. Lots of fast passage-work is played by various instruments. You are commenting using your Twitter account. The movement ends with a strong brass interlude, ending on a tonic chord. Filmography by Job Trailers and Videos. Notify me of new comments via email. A clarinet solo begins this lovely movement off.

The family of Kabalevskys belonged to Russian Nobility. Whilst the strings play a variation of the theme, the thee plays syncopated off-beats. The upper flutes and xylophone then enter with a bouncy dotted-rhythm melody, which is very catchy!

Clowns (Kabalevsky) | Easy Piano Sheet Music (Digital Print)

The main theme returns, leading to the end which is a vast contrast to the rest of the movement. Skip to content May 20, October 21, arioso7: The 10 movements are as follows:. What’s on your mind? The oboes then do the same thing, accompanied by the strings, who whirl up into the theme in an upper register.

This site uses Akismet to reduce spam. Sign in with Facebook Other Sign in options. When Tower was nine, her family moved to Bolivia, which she describes as an integral part of Read more…. International piano teacher by Skype, recording artist, composer, piano finder, freelance writer, film maker, story teller: A chromatic rall makes the tension rise, and is then broken when the beginning of the movement is repeated once more.


The tonality shifts, but is soon brought back to the tonic when the first theme returns. Email required Address never made public.

The piece ends on a full-ensemble tonic chord. This suite, as the title suggests, is light, fun and a great listen, so I do hope you enjoy this blog! Composer Soundtrack Music department. The brass are muted, but the tempo stays fairly similar to that of the section before. The ensemble enter and play some soft-loud chords. The Best of Brass Alexander Arutunian: A slightly slower section is heard, which is emphasised by the xylophone. Leave a Reply Cancel reply.

The clarinet starts a melodic statement, which is finished by the oboe. The movement ends with a scale from the woodwind, leading to a tonic note.

Dmitri Kabalevsky was, in his time, a leading Russian composer, alongside the likes of Aram Khachaturian. The horns proclaim a fanfare, which leads to the next section, which is very short. Argentina vs West Germany The brass play strong tonic chords, which again lead back to the first theme. Chromatic shifts give this melody lots of colour and vibrancy against the accompaniment.

The horn takes the main melody and plays a wonderful transition section.